http://brierleyhillsolar.blogspot.co.uk/ Solar images, a collection of all the most up to date live solar data on the web, imaging & processing tutorials - please take a look!
ImPPG is for image files (jpegs, tiff etc), not movie (avi) files Rainer.
http://brierleyhillsolar.blogspot.co.uk/ Solar images, a collection of all the most up to date live solar data on the web, imaging & processing tutorials - please take a look!
That's right, ImPPG is for post-processing of stacks. So you must stack your AVI first (e.g. in AutoStakkert), and then you can open the resulting TIFF in ImPPG. On the home page you'll find links to a few tutorials:
That's right, ImPPG is for post-processing of stacks. So you must stack your AVI first (e.g. in AutoStakkert), and then you can open the resulting TIFF in ImPPG. On the home page you'll find links to a few tutorials:
rsfoto wrote: ↑Wed Dec 25, 2019 9:08 pm
I process my AVI's in AviStack v2.0 including Wavelets and save them as TIF.
I'd miss out the wavelets and go straight to ImPPG for sharpening
http://brierleyhillsolar.blogspot.co.uk/ Solar images, a collection of all the most up to date live solar data on the web, imaging & processing tutorials - please take a look!
I'd miss out the wavelets and go straight to ImPPG for sharpening
Indeed! It will work best with raw, unprocessed stacks.
Though one could do the primary sharpening elsewhere (e.g. wavelets in Registax) and then just touch up in ImPPG (probably with L-R disabled, just apply unsharp mask and modify the tone curve). In any case, whenever you can, use high bit-depth images as input (16 bits per channel or more).
My software: Stackistry — an open-source cross-platform image stacker ImPPG — stack post-processing and animation alignment My images
I'd miss out the wavelets and go straight to ImPPG for sharpening
Indeed! It will work best with raw, unprocessed stacks.
Though one could do the primary sharpening elsewhere (e.g. wavelets in Registax) and then just touch up in ImPPG (probably with L-R disabled, just apply unsharp mask and modify the tone curve). In any case, whenever you can, use high bit-depth images as input (16 bits per channel or more).